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《植田正治回顧展》

主辦：三影堂廈門攝影藝術(shù)中心

協(xié)辦：植田正治事務(wù)所

藝術(shù)總監(jiān)：榮榮&映里

策展人：佐藤正子(Contact)

對談：佐藤正子、增谷寬

開幕時間

2019年8月31日 15:00

藝術(shù)對談

2019年8月31日 16:00

展期

2019年8月31日-11月10日（周一閉館）

地點

三影堂廈門攝影藝術(shù)中心 

（廈門市集美區(qū)杏林灣營運中心，2號樓301）

三影堂廈門攝影藝術(shù)中心即將榮幸呈現(xiàn)“植田正治回顧展”，本次展覽將是這位日本大師級攝影藝術(shù)家在中國的首次大規(guī)模回顧型展覽的廈門站。展出從其早期至后期的141件珍貴原作，涵蓋經(jīng)典代表作品《沙丘》系列，以及備受國內(nèi)外廣泛贊譽的時尚攝影等多個階段系列作品。

植田正治（1913-2000），因在自己家鄉(xiāng)鳥取縣拍攝的杰作《沙丘》系列而聞名于世，在日本乃至世界攝影史上留下了重要的印記。盡管當時的日本的攝影正處于現(xiàn)代主義的潮流當中，植田正治卻畢生都在自己的家鄉(xiāng)山陰地區(qū)，他只拍攝自己所謂的“真正事物”，卻從未將自己定位于某種思潮之中。植田正治的現(xiàn)代主義表現(xiàn)手法是獨一無二的，時至今日，“植田調(diào)”一直受到海內(nèi)外的高度評價。

受青少年時期西方前衛(wèi)藝術(shù)的影響，植田正治一邊在家鄉(xiāng)經(jīng)營著照相館，一邊始終保持著如攝影愛好者般的激情和自由精神。無論是他在自家附近的沙丘上將其家人和密友塑造成棋子一般的“導(dǎo)演式攝影”，還是他從70歲開始拍攝的以《沙丘》系列為代表的時尚和商業(yè)作品，都不斷構(gòu)筑起他自己的攝影世界，受到了跨越時代的贊譽。植田最鐘愛的主題是他出生和成長的山陰地區(qū)的風(fēng)土和事物。但他的作品有著超越風(fēng)土人情和時代的普遍性，總能帶給觀眾新的驚喜和深深的感動。

                                                               植田正治

“ 不論清醒或沉于睡夢，我都處于對攝影的思索之中。”

—植田正治

植田正治，1913年生于日本鳥取縣，1930年代在家鄉(xiāng)成立了一個攝影館并以此開啟了其攝影生涯。植田以在鳥取拍攝的《沙丘劇院》等擺拍作品聞名，隨后在20世紀50年代向現(xiàn)實主義傾斜，成為戰(zhàn)后一代前衛(wèi)攝影的代表人物，并因《童歷》(1971年出版)等攝影集備受贊譽。

1972年，植田正治首次到歐洲旅行，并出版了《無聲記憶》（音のない記憶）。他分別于1978年和1987年被邀請參加了阿爾勒國際攝影節(jié)(les Rencontres d’Arles)。他的作品得到了國外，特別是歐洲收藏家和評論家的極高的評價。1995年，位于鳥取縣的植田正治攝影美術(shù)館正式開館。1996年，榮獲法國藝術(shù)與文學(xué)勛章。2000年，植田正治逝世，享年87歲。2013年，日本東京攝影美術(shù)館舉辦“紀念植田正治誕辰100周年”大型回顧展。

部分展覽作品

Featured Works

                                                    爸爸，媽媽和孩子們，1949
                                                Papa, Mama and Children (1949)

                                                           Kako與花，1949
                                                    Kako and a Flower (1949)

                                                      妻子在的沙丘風(fēng)景，1950
                                           Scenery of the dune with my wife (1950)

                                                            稻草人，1950
                                                         Bird scarer (1950)

                                                       選自《小傳記》，1975
                                                 From Little biography  (1975)

                                                      選自《白風(fēng)》系列，1981 
                                                From the series White wind (1981)

                                                      選自《白風(fēng)》系列，1981
                                                From the series White Wind (1981)

                                                      選自《沙丘》系列，1983
                                                   From the series Dune (1983)

                                                         GITANES, 1992

Shoji UedaRetrospective Exhibition

Organizer: Three Shadows XiamenPhotography Art Centre

Co-organizer: Shoji Ueda Office

Art Directors: RongRong&Inri

Curator: Masako Sato(Contact)

Opening: 

15:00, August 31,2019

Talk: 

16:00, August 31,2019

Duration：

August 31, 2019 -November 10, 2019  Closed on Mondays

Location: 

Three Shadows XiamenPhotography Art Centre 

(No. 301, Building 2, Xinlinwan Business Center, JimeiDistrict, Xiamen)

It is Three Shadows Xiamen Photography ArtCentre’s honor to present the first extended retrospective exhibition of ShojiUeda in Xiamen, China, featuring 141 early and late works ranging from hismasterful series Sand Dunes to the fashion photographs that helped trigger a reappraisal of his achievements.

Shoji Ueda (1913-2000), well known for hisiconic pictures taken around his hometown Tottori, would ultimately leave a major mark on the history of photography in not only his home country but also abroad. And he did it by remaining in his hometown Sanin, pursuing whatever imaginative ideas pleased him and never aligning himself with any particular movement, even as realism began to take center stage in main stream Japanese photography. His strain of modernism was so distinct that the “Ueda-cho (Uedastyle)” still generates fresh acclaim to this day.

Influenced by the Western avant-garde duringhis adolescence, Ueda maintained the passionate, uninhibited spirit of anamateur while he ran his own studio. His intricate compositions - prime examples of staged photography - often featured his family and his close friends in his neighboring sand dunes arranged like chess pieces. The worlds hemanaged to express within the constraints of commercial and fashion photography remain both surprising and deeply moving, as typified by Mode in Dunes, a project he undertook at the age of 70.

                                                              Shoji Ueda

“Awake or asleep, I always found myselfthinking about photography.”

– Shoji Ueda

Shoji Ueda was born in 1913 in Tottori Prefecture, Japan and started his career as a photographer by establishing astudio at his hometown in the 1930s. He cemented his reputation within tricately staged photographs in the Tottori sand dunes before tilting toward srealism during the 1950s and continuing to garner acclaim with photo books like Children the Year Around, published in 1971. 1972, when he first traveled to Europe and published Oto no nai kioku, marked a turning point in his international reputation. He was subsequently invited toparticipate in Les Rencontres d’Arles in 1978 and 1987. His works are highly regarded abroad and he has steadily built a reputation among European collectors and critics in particular. In 1996, he received the Ordre des Artset des Lettres of France. Ueda died at 87 in 2000. In 2013, Tokyo Photographic Art Museum held “100 Years of Birth! Shoji Ueda,” a large retrospective.